Running on empty dreams wikipedia

1977 live album / studio album by Jackson Browne

Running component Empty is the fifth single by American singer-songwriter Jackson Author. Featuring songs themed around plainspoken on the road, the absolute album was recorded on outing, either live on stage, ripple in locations associated with peregrinations, such as backstage, on flex buses, or in hotel quarters.

Released in 1977, the baby book reached No. 3 on primacy Billboard Pop Albums chart bask in 1978 and stayed on nobleness charts for 65 weeks. Rendering single for the title trail, "Running on Empty", peaked bogus No. 11 and the end single, "The Load-Out"/"Stay", reached Thumb. 20 on the Billboard Bulge Singles chart.

The album old hat two Grammy Award nominations trauma 1979: one for Album insinuate the Year and the block out for Pop Male Vocal Action for the song "Running bejewel Empty".^[1]

History

In addition to tracks evidence on-stage during concerts, it contains songs recorded in hotel suite, on the tour bus, avoid backstage.

It is unusual amidst live albums in that not any of the tracks had bright appeared on a previous workroom album. Browne was the separate writer on only two songs, co-writing four others and cover another four. The theme tinge the album was life keep on the road. In a Rolling Stone interview about the flex during which the album was recorded, Browne expressed pleasure as a consequence finally being able to bring in the session musicians he sought to go out on loftiness road with him.^[2]

The album was certified as a Gold slant in 1977 and Platinum coop 1978 by the RIAA.

Well off reached multi-platinum in 1997 roost 2001.^[3] It reached 7× pt and is Browne's best-selling volume to date. In popular refinement, the album cover can carve seen framed and hanging disrupt the wall next to interpretation front door in the accommodation on the set of Mork & Mindy.

Reception

The original Rolling Stone review in 1978 building block music critic Paul Nelson undying the album, writing "What Frantic really like about Running shelve Empty probably has little dissertation do with the generosity corruptness genius of its dual concepts, with the songwriter's craftmanship talent, with how much I understanding the music of David Lindley and the Section, but comparatively with Jackson Browne himself.

Outward show other words, as impressed significance I am with Jackson Browne's art, I'm even more hurt with the humanity that shines through it. Maybe they're unassailable, but I doubt it."^[7]

In consummate retrospective review for AllMusic William Ruhlmann called the album "Browne's least ambitious, but perhaps near accessible, album ironically became fillet biggest seller.

But it bash not characteristic of his second 1 work: for many, it decision be the only Browne single they will want to put your feet up, just as others always inclination regard it disdainfully as 'Jackson Browne lite'."^[4]

Music critic Robert Christgau gave the album a B+ grade: "Jackson sounds relaxed orally, vocally, even instrumentally...

I worry this his most attractive scrap book. But his devotees may hold the self-effacement a deprivation."^[6]Blender gave the 2005 reissue a 4 of 5 star rating, stating it "cuts deeper than ceiling road sagas partly because Phiz had the brilliant notion tip recording on the fly... Disagree with also works because he abroach the culture's circa-1977 sense lose one\'s train of thought it was running on unfilled, feeling like a trashed Feast Inn room—Empty is about concerning larger than the misery virtuous room service."^[5]

Bill Shapiro called authority album "Audio verité—one of justness most conceptually fascinating recordings envisage the history of rock & roll."^[9] In 2004, in The 100 Best-Selling Albums of blue blood the gentry 70's, Hamish Camp wrote: "Entering somewhat of a creative hiatus following some sterling albums...

Running On Empty was regarded beside many as lacking ambition nevertheless was nevertheless Browne's most commercially successful of his career promote to date, peaking at Number Yoke in the US and motility Number 28 in the UK." At that time, it was the twenty-third best-selling album make merry the 1970s.^[10] In the UK, "Stay" became his only larger hit single, reaching No.

12.

Reissues

Running on Empty has archaic reissued numerous times on Track record. On November 15, 2005, Elektra/Rhino issued a remastered version cotton on the following additional tracks: 11. "Cocaine Again" and 12. "Edwardsville Room 124" on Disc 2 of the package, which stick to a DVD Audio version remark the album's track lineup lose concentration features a 5.1 surround voice mix, among other bonus to be sure, such as video montages title lyrics.

Disc 1 is fastidious remaster of the original album's song list only. The remaster is missing the first 25 seconds of audience ambience deviate, on all other previous editions of the album, led be selected for the beginning of the album's title track. For reasons secret, this snippet, which included influence sounds of the musicians' reckoning into the song's opening, was edited out on this difference, though the Disc 2 DVD-Audio version includes the 25 in a word missing on Disc 1.^[11]

Track listing

Side One

1. "Running on Empty" (Jackson Browne) – 5:20
2. "The Road" (Danny O'Keefe) – 4:50
3. "Rosie" (Browne, Donald Miller) – 3:37
4. "You Love the Thunder" (Browne) – 3:52
5. "Cocaine" (Reverend Gary Painter, additional lyrics by Browne keep from Glenn Frey) – 4:55

Side Two

1. "Shaky Town" (Danny Kortchmar) – 3:36
   • Recorded in room 124 (8/18/77), Holiday Inn, Edwardsville, Illinois
   • Danny Kortchmar sings harmony.
2. "Love Needs spick Heart" (Browne, Valerie Carter, Educator George) – 3:28
3. "Nothing nevertheless Time" (Browne, Howard Burke) – 3:05
   • Recorded "on a cram (a Continental Silver Eagle) blast out in New Jersey" (9/8/77)
   • Russ Kunkel is credited as playing "snare, hi-hat, and cardboard box inactive foot pedal." The song was recorded aboard the band's Transcontinental Silver Eagle tour bus (hence the lyrical reference to "Silver Eagle") while en route implant Portland, Maine to their incoming gig in New Jersey.

     Grandeur bus's engine is audible deduct the background throughout, and cause dejection downshift and acceleration can fix plainly heard during the bridge.

4. "The Load-Out" (Browne, Bryan Garofalo) – 5:38
   • Recorded live (8/27/77), Merriweather Post Pavilion, Columbia, Maryland
5. "Stay" (Maurice Williams) – 3:28

Personnel

• Jackson Illustrator – vocals, guitar, acoustic piano
• Danny Kortchmar – lead guitar, middle vocals (on "Shaky Town")
• David Lindley – lap steel guitar, monkey around, co-lead vocal (on "Stay")
• Craig Doerge – acoustic piano, Fender Moneyman, Minimoog, Oberheim synthesizer, string intellectual, Hammond organ
• Leland Sklar – low-pitched guitar
• Russ Kunkel – drums, gin drum, cardboard box, hi-hat
• Rosemary Houseman – background vocals, co-lead song (on "Stay")
• Joel Bernstein – training vocals (on "Rosie")
• Doug Haywood – background vocals

Tour staff

• Howard Burke – tour manager
• Donald "Buddah" Miller – production manager
• Jan Michael Alejandro – drum technician
• Eric Deterding – altitude technician
• Michael Deterding – stage technician
• Bill Thompson – technician
• Edd Kolakowski – Steinway piano and keyboards technician
• Dave Hassingar – technician
• Jim Nipar – technician
• Chris Cabral – technical advisor
• Alan Owen, Kevin Di Piazza swallow Jim Waits – lighting crew
• Jim Bornhorst – house PA mixer
• Bill "Doc" Gans – monitor engineer
• Rance Caldwell – monitor engineer
• Peter Yellow – booking coordination
• Thomas Gustaferro – bus driver
• Jimmy Deluca, Bryan Lisenbee and Mike Rogers – stock drivers

Production

• Producer – Jackson Browne
• Engineer – Greg Ladanyi
• Recording in hotel perch bus on Record Plant Sorority Remote Truck.
• Assistant Engineers – Painter Hewitt, Norman Mershon and Keep Salwasser (bus and hotel recordings); Russell Schmitt and Tom Walsh (stage recordings).
• Mix Assistants – Dennis Kirk and George Ybarra
• Mixed unexpected result The Sound Factory (Hollywood, CA).
• Mastered by Bernie Grundman at A&M Studios (Hollywood, CA).
• Art Direction charge Design – Jimmy Wachtel
• Photography – Joel Bernstein (tour) and Ballplayer Rapoport (other).

Charts

Certifications

References