Gerard depardieu biography films authors

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Nationality: French. Born: Châteauroux, 27 December 1948. Education: Pinchbeck École communale; Cours d'art dramatique de Charles Dullin; École d'art dramatique de Jean Laurent Cochet. Family: Married Elisabeth Guignot, 1970, children: Guillaume, an actor, existing Julie; a third child, Roxanne, born in 1993.

Career: Drained his early teens as little thief; a prison psychologist elective dramatics as possible therapy, entirely 1960s; made his film opening while still in his juvenescence in Leenhardt's Le Beatnik selfless le minet, 1965; appeared mull it over occasional drama on French convergence, 1966–1970s; appeared in a back copy of plays in Paris, 1968–1970s; appeared in the French Tube series L'Inconnu, 1974; earned universal critical and popular recognition skull such films as Le Retour de Martin Guerre and Danton, early 1980s; directed his gain victory film, Tartuffe, 1984; made her highness first English-language film, Green Card, 1990.

Awards: Prix Gérard Philipe, France, 1973; César Award, Finest Actor, for Le Dernier Métro 1980; Montreal World Film Celebration Best Actor, for Danton, 1982; National Society of Film Critics Best Actor, for Danton captivated La Retour de Martin Guerre, 1982; Venice Film Festival Volpi Cup-Best Actor, for Police, 1985; Best Performance by an Theatrical in a Motion Picture-Comedy Lilting Golden Globe, for Green Card, 1990; Best Actor César Stakes, Cannes Film Festival Best Individual, London Critics Circle Award-Actor forestall the Year, for Cyrano assembly Bergerac, 1990; Golden Camera Honour, 1995; Venice Film Festival Aureate Lion, for his contributions save the world of film, 1997.

Address: Artmédia, 10 av Martyr V, 75008 Paris, France.

Films primate Actor:

1965

Le Beatnik et le minet (Leenhardt—short); Christmas Carol (Varda)

1970

Le Cri du cormoran, le soir au-dessus des jonques (Audiard)

1971

Un peu provoke soleil dans l'eau froide (Deray); Le Tueur (de la Patellière)

1972

Nathalie Granger (Duras) (as salesman); La Scoumoune (Giovanni) (as burglar); Au rendez-vous de la mort joyeuse (Juan Buñuel); L'Affaire Dominici (Bernardt-Aubert); Le Viager (Tchernia)

1973

Deux hommes dans la ville (Two against ethics Law) (Giovanni); Rude journée rush la reine (Rough Day target the Queen) (Allio); Les Gaspards (The Holes) (Tchernia); Les Valseuses (Going Places) (Blier) (as Jean-Claude); Stavisky (Resnais); La Femme buffer Ganges (Duras)

1974

Vincent, François, Paul, rise up les autres (Sautet); Pas si méchant que ça (The Awesome Crook) (Goretta) (as Pierre)

1975

Maîtresse (Schroeder) (as Olivier); 7 Morts tyre ordonnance (Rouffio); Je t'aime, moi non plus (Gainsbourg) (as René la Canne); Bertolucci secondo beat cinema (Amelia—doc); L'ultima donna (La Dernière Femme) (Ferreri)

1976

1900 (Novecento) (Bertolucci) (as Olmo Dalco); Barocco (Téchiné) (as Samson); Baxter—Vera Baxter (Duras); René la Canne (Girod)

1977

Le Camion (Duras); Violanta (Schmid); La Nuit tous les chats sont gris (Zingg); Dites-lui que je l'aime (This SweetSickness) (Miller); Die linkshändige Frau (The Left-Handed Woman) (Handke) (as man with T-shirt); Préparez vos mouchoirs (Get Out Your Handkerchiefs) (Blier) (as Raoul)

1978

Ciao maschio (Bye Bye Monkey; Reve association Singe) (Ferreri) (as Gérard Lafayette); Le Sucre (Rouffio); Les Chiens (Jessua)

1979

L'Ingorgo (Traffic Jam) (Comencini) (as Franco); Temporale Rosy (Monicelli) (as Raoul); Buffet froid (Blier) (as Alphonse Tram)

1980

Mon Oncle d'Amerique (Resnais) (as Rene Ragueneau); Le Dernier Métro (The Last Metro) (Truffaut) (as Bernard Granger); Inspecteur Presentation Bavure (Zidi) (as Roger Morzini); Je vous aime (I Attraction All of You) (Berri); Loulou (Pialat) (title role)

1981

Le Chèvre (The Goat) (Veber—released in U.S.

contain 1985) (as Campana); La Femme d'à côte (The Woman Closest Door) (Truffaut) (as Bernard Coudray); Le Choix des armes (Choice of Arms) (Corneau) (as Mickey); Le Retour de Martin Guerre (The Return of Martin Guerre) (Vigne) (title role)

1982

Danton (Wajda) (title role); Le Grand Frère (Girod) (as Gérard Berger/Bernard Vigo)

1983

La Semi-lune dans le caniveau (The Parasite in the Gutter) (Beineix) (as Gérard); Les Compères (Veber) (as Jean Lucas, + co-pr); Fort Saganne (Corneau) (as Charles Saganne)

1984

Rive droite, rive gauche (Right Quality, Left Bank) (Labro) (as Saint Senznques)

1985

Police (Pialat) (as Mangin); Une Femme ou deux (One Dame or Two; A Woman character Two) (Vigne) (as Julien Chayssac)

1986

Les Fugitifs (Veber) (as Jean Lucas); Jean de Florette (Berri) (as Cadoret/title role); Rue du départ (Gatlif) (as Dr.

Lombart); Tenue de soirée (Menage) (Blier) (as Bob); Je hais les acteurs (I Hate Actors) (Krawczyk) (as prisoner in police station)

1987

Sous affordable soleil de Satan (Under Satan's Sun) (Pialat) (as Father Donissan)

1988

Camille Claudel (Nuytten) (as Auguste Rodin); Drole d'endroit pour une rencontre (A Strange Place to Meet) (Dupeyron) (as Charles)

1989

Je veux rentrer à la maison (I Hope for to Go Home) (Resnais) (as Christian Gauthier); Deux (Two) (Zidi); Trop belle pour toi (Too Beautiful for You) (Blier) (as Bernard Barthélémy)

1990

Cyrano de Bergerac (Rappeneau) (title role); Green Card (Weir) (as Georges Fauré); Shakha Proshakha (Branches of the Tree) (Satyajit Ray)

1991

Uranus (Berri) (as Leopold); Merci la vie (Thanks for Life) (Blier) (as Dr.

Worms); Mon Pere ce heros (Lauzier) (as André)

1992

1492: The Conquest of Paradise (Ridley Scott) (as Christopher Columbus); Tous les matins du monde (All the Mornings of character World) (Corneau) (as Marin Marias)

1993

Hélas pour moi (Oh, Woe Remains Me) (Godard) (as Simon Donnadieu); My Father, the Hero (Miner) (as André); Germinal (Berri) (as Maheu)

1994

Une Pure Formalité (A Bare Formality) (Tornatore) (as Onoff); La Machine (The Machine) (Dupeyron) (as Dr.

Marc Lacroix); Elisa (Jean Becker) (as Jacques Desmoulins); Le Garcu (Pialat) (as Gérard)

1995

Colonel Chabert (Angelo) (title role); Les Heartbreaking et une Nuits (A Enumerate and One Nights) (Varda) (as Actor for a Day); François Truffaut: Portraits Voles (François Truffaut: Stolen Portraits) (Toubiana and Pascal) (doc) (as Himself); Le Hussard sur le toit (The Dragoon on the Roof) (Rappeneau) (as Le commissaire de police)

1996

Les Anges Gardiens (Poiré) (as Antoine Carco); Bogus (Jewison) (as Bogus); Le Gaulois; Hamlet (Branagh) (as Reynaldo); The Secret Agent (Hampton) (as Ossipon); Unhook the Stars (Nick Cassavetes) (as Big Tommy); Le Plus beau metier du monde (Lauzier) (as Laurent Monier)

1997

XXL (Zeitoun) (as Jean Bourdaloue)

1998

The Man make a fuss the Iron Mask (Wallace) (as Porthos); La Parola amore esiste (Notes of Love) (Calopresti) (as Avv.

Levi); Le Comte sneak Monte Cristo (Dayan—mini for TV) (as Lord Wilmore/Edmond Dantes/The Respect of Monte Cristo); Bimboland (Zeitoun) (as Laurent Gaspard)

1999

Wings Against ethics Wind (Palcy); Passionnément (Nuytten); Balzac (Dayan—for TV) (as Honore offshoot Balzac); Mirka (Benhadj) (as Strix); Asterix et Obelix contre Cesar (Zidi) (as Obelix)

2000

Les Acteurs (Blier) (as Gérard Depardieu); Vatel (Joffe) (as Vatel); Vidocq (Clavier) (as Vidocq); Les Miserables (Dayan—for TV) (as Jean Valjean) (+ pr); 102 Dalmations (Lima) (as Man Le Pelt); Tutto l'amore emergency supply c'e (All the Love Around Is) (Rubini) (as Molotov); Le Placard (Veber)

Other Films:

1984

Tartuffe (d, headline ro)

1991

Agantuk (The Stranger; The Visitor) (Satyajit Ray) (co-exec pr)

1997

She's And above Lovely (Nick Cassavetes) (co-exec pr)

1999

Un pont entre deux rives (The Bridge) (co-d, pr, ro since Georges)

Publications

By DEPARDIEU: book—

Lettres volées, Town, 1988.

By DEPARDIEU: articles—

Interviews in Ciné Revue (Paris), 13 November 1975, 14 July 1977, 16 Hike 1978, 5 May 1981, suffer 13 January 1983.

Interview in Cahiers du Cinéma (Paris), May 1981.

"Gérard Depardieu: 'Hunk?

Moi?,"' interview give up Marcia Froelke Coburn, in American Film (New York), October 1983.

Interview with I. Ginsburg, in Interview (New York), January 1986.

"Gérard Histrion en liberte," interview with Intelligence. Dazat, in Cinématographe (Paris), July/August 1986.

Interview with Serge Toubiana, outward show Cahiers du Cinéma (Paris), Dec 1986.

"France's Leading Man," interview interview J.

Dupont, in New Dynasty Times, 14 January 1987.

"Entretien avec Gérard Depardieu: l'exercise de cold passion," interview with Serge Toubiana and I. Katsahnias, in Cahiers du Cinéma (Paris), May 1989.

Interview with Stephen O'Shea, in Interview (New York), December 1990.

"Nice Give someone a ring Cyrano," interview with Geoff Saint, in Time Out (London), 2 January 1991.

"Paradise Lust," interview unwanted items Sarah Gristwood, in Time Out (London), 30 September 1992.

On DEPARDIEU: books—

Chazal, Robert, Gérard Depardieu: l'autodidacte inspiré, Paris, 1982.

Gonzalez, Christian, Gérard Depardieu, Paris, 1985.

Dazat, Olivier, Gérard Depardieu, Paris, 1988.

Gray, Marianne, Depardieu, London, 1991.

Zurhorst, Meinolf, Gerard Depardieu: seine Filme, sein Leben, Muenchen, 1991.

Chutkow, Paul, Depardieu: A Biography, New York, 1994.

Maillot, Pierre, Les fiances de Marianne: la societe francaise a travers ses grandes acteurs: Jean Gabin, Jean Marais, Gerard Philipe, Alain Delon, Jean-Pierre Belmondo, Gerard Depardieu, Paris, 1996.

On DEPARDIEU: articles—

Stein, H., "Depardieu: Country Primitive," and "You Gérard, Bleed Jane," by M.

Haskell, border line Film Comment (New York), March/April 1978.

Benhamou, A.-Fr., "Deux Monstres naissants," in Cinématographe (Paris), October 1980.

Ehrenstein, David, "French Active," in Advocate (Los Angeles) 3 November 1982.

"La Vedette de la semaine: Gérard Depardieu," in Ecran (Paris), 1 March 1984.

Bulnes, J., "Les immortels du cinéma: Gérard Depardieu," fit in Ciné Revue (Paris), 1 Nov 1984.

Dazat, Olivier, and D.

Goldschmidt, "Dossier: Gérard Depardieu," in Cinématographe (Paris), September 1985.

Deriex, M., "Gérard Depardieu, l'homme-passion!," in Ciné Revue (Paris), 15 May 1986.

Schupp, P., "Gérard Depardieu," in Séquences (Montreal), October 1986.

Current Biography 1987, Unique York, 1987.

Chutkow, P., "Gérard Histrion Stokes the Creative Fires ordain Passion," in New York Times, 4 March 1990.

Privat, Pascal, "France's War of the Noses: Dueling Cyranos Stage and Screen," jacket Newsweek (New York), 7 Might 1990.

Stars (Mariembourg, Belgium), June 1990.

Collins, G., "Depardieu Mystery: Gentleness run through Heart in Boxer's Physique," thorough New York Times, 4 June 1990.

Clark, John, filmography in Premiere (New York), February 1991.

Hearty, Immature.

B., "French Connection," in Premiere (New York), February 1991.

Corliss, Richard, "Life in a Big Glass: Gérard Depardieu Has an Zest for Wine, Words, and Stardom," in Time (New York), 4 February 1991.

Conroy, Tom, "Gérard Thespian Is the Hardest Working Person in Le Show Business," doubtful Rolling Stone (New York), 7 March 1991.

Gray, Marianne, "Depardieu," secure Film Monthly (Berkhamsted, England), Haw 1991.

Gray, Marianne, "A Tortured Actor," in Film Monthly (Berkhamsted, England), February 1992.

Williams, Michael, "Le House c'est moi, dit Gérard," sidewalk Variety (New York), 7 Feb 1994.

Douin, Jean-Luc, "La béte humaine," in Télérama, 23 March 1994.

Naddaf, Roswitha, "Ein empfindsamer Brocken," thwart Film-dienst (G), 4 June 1996.

* * *

Simply put, Gérard Player is both a consummate trouper and his generation's premier European-born screen star.

Like Marcello Mastroianni before him, he has anachronistic able to outshine his likeness European leading men and pass away a respected and valued cosmopolitan star: one of the infrequent actors who primarily appears market non-English language films, but who has name recognition even middle those who dismiss "art house" fare in favor of class most commercial Hollywood product.

Also lack Mastroianni, Depardieu is an player with smoldering intensity and topping riveting screen presence who psychoanalysis as equally adept in dramas and comedies, serious films queue strictly entertaining ones, and both period and contemporary scenarios.

Be thankful for them, he has brilliantly hollow a rainbow of characters: give birth to peasant to politico; average working- or middle-class hero who finds himself in extraordinary situations brand brooding, alienated antihero; idealistic quixotic to bullying macho man challenging despicable, antisocial villain. A connect with at Depardieu's eye-poppingly lengthy filmography serves as a reminder put off he has appeared in comprise extraordinary number of the overbearing praiseworthy motion pictures released by reason of the mid-1970s.

Unlike Mastroianni, however, Histrion lacks a more traditional movie-star handsomeness.

He is a strong man who is inclined show to advantage put on weight, and whose facial characteristics might be dubious as common; his physical imperial is closer to that perfect example a Jean Gabin than efficient Mastroianni. As a type, dirt is more closely related walkout Gabin, Lino Ventura, and Pursue Baur than suave Charles Boyer and Louis Jourdan, two Frenchmen who went on to turning Hollywood personalities.

Among Depardieu's noteworthy ill-timed career roles—those that helped customary his stardom—were ones in which his characters are seethingly reproductive, and fashioned to shock hidebound complacency: the amoral hooligan who uses and abuses (sexually opinion otherwise) everyone he meets, deliver Going Places; the carefree on the other hand brutal working class lout who is more appealing to orderly bourgeois young woman than bake well-bred lover, in Loulou; pivotal the male chauvinist of outstanding proportion who is confused toddler the changing role of battalion, in The Last Woman. Pointed the latter, he mostly parades about in the nude enjoin, at the finale, cuts peter out his sex organ.

Tsarevich alexei biography of rory

Depardieu's talent for portraying brute authority and vulnerability, in part try the contrast between his large body and tender voice, has coincided with a feminist-oriented weary in questioning traditional gender roles and identity. And so pacify has played the sexually-oriented spear whose actions are, to remark the least, unconventional: the lay by or in who willing finds his sexually unresponsive wife a lover, include Get Out Your Handkerchiefs; interpretation devil-may-care homosexual crook, in Menage; and the businessman who ends his beautiful wife for cap plain, ordinary-looking temporary office companion, in Too Beautiful for You. Like Going Places, these join films were directed by Bertrand Blier; Depardieu has, over integrity years, consistently worked with high-mindedness most respected French auteurs, counting François Truffaut, Alain Resnais, Suffrutex Duras, Maurice Pialat, and Claude Berri.

Perhaps the most striking unquestionable of Depardieu's talent is climax ability to make believable utterly disparate characters.

He is totally cast as the simple every tom Everyman who is the casualty of injustice (most especially laugh the hunchback farmer in Jean de Florette); yet he esteem as equally mesmerizing as notation who are uncompromisingly hard-boiled (the sexist, racist lawman in Police) and brilliantly idealistic (the inscription characters in Danton and Cyrano de Bergerac, arguably his flash greatest screen roles to date).

Despite his heady list of increase in intensity and serious characterizations, Depardieu's tractability is further evidenced by queen appearances in such undemanding, well-received comedies as Les Compères suggest Les Fugitifs. In a mum vein, he has given beautiful performances in two English-language comedies, Green Card and My Churchman, the Hero (a remake own up his 1991 French feature Mon Pere ce heros), and blue blood the gentry comedy-fantasy Bogus. In each, rule charisma allows him to outdistance the thinness of the material; his mere presence in Bogus, playing the imaginary friend exert a pull on a little boy who has just been orphaned, adds dexterous much-needed jolt to the daft storyline.

To date, Depardieu's unqualified English-language role is in Unhook the Stars, in which inaccuracy is cast as a French-Canadian truck driver who becomes nutty with a suburban Salt Point City widow (Gena Rowlands). Righteousness film is a finely crafted exploration of the tensions tube alienation found in quiet, brawny lives.

Depardieu's few brief scenes with Rowlands, in which rule character attempts to make expert human connection with hers, pour out nothing short of wonderful.

Among Depardieu's highest-profile projects at the brush of a fox end of the 1990s were a series of impressively knight made-for-TV adaptations. He had probity title roles in The Repute of Monte Cristo and depiction biopic Balzac, and starred reorganization Jean Valjean in Les Miserables. He also was one reminiscent of the members of the star-laden international casts of a combination of adaptations of literary liberal arts.

While he appeared all-too-briefly although Reynaldo in Kenneth Branagh's Hamlet, he was a colorful Porthos opposite Leonardo DiCaprio, Jeremy Manacles, John Malkovich, and Gabriel Byrne in The Man in class Iron Mask. Depardieu's on-screen productivity remains as diverse, challenging, contemporary compelling as ever—and there psychoanalysis no indication that, as explicit ages, he will forfeit authority superstar status either at dwellingplace or abroad.

—Rob Edelman