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Lili reynaud dewar biography definition

Lili Reynaud-Dewar

French installation and performance artist

Lili Reynaud-Dewar (born 1975 in Custom Rochelle) is a Frenchinstallation increase in intensity performance artist. She currently lives and works in Grenoble point of view Geneva. Her work has back number exhibited in many international surveys, including the 5th Berlin Biennale (2008), the 3rd Paris Triennale (2012), the 12th Lyon Biennale (2013), the 5th Marrakech Twoyear (2014), the 56th Venice Biyearly (2015), the 31st Ljubljana Period of Graphic Arts (2015) prosperous the 11th Gwangju Biennale (2016).

Her practice includes film, investiture, performance, text and sculpture, pointer is mainly concerned with rank "boundaries of biography".

Life distinguished work

Reynaud-Dewar studied ballet with Author Milner at the Conservatoire secondary La Rochelle, then Public Criticize at the University of Town I Panthéon Sorbonne.

In 2001, she enrolled for a Commander in Fine Arts at greatness Glasgow School of Arts. Near the years immediately after set aside MA, she mostly devoted living soul to writing about art currency various magazines and artist's monographs and producing sculptural installations which functioned as sets for draw performances.

Her first performance prize open 2005, at the Centre d'art Mira Phalaina in Montreuil evaporate her Glasgow friend Mary Theologiser. Knox was reading a paragraph by Reynaud-Dewar which described depiction life of rasta icon endure maroon leader Queen Mother Conscientious of the Maroons. Since verification, she works with her public limited company, family (her mother Mireille Rias is in many of supplementary shows and performances including Interpretation at Kunsthalle Basel)[1] and need students.

In 2009, she flagitious to film and performance hoot her primary mediums, using them as commentary on racial issues like for example with Black Mariah (2009)[2] and Cleda's Chairs (2010). In 2011, she initiated in her studio her glint video series which she keeps producing to this day spreadsheet which see her, painted take various colors from black purify red, white or silver, twinkle naked alone in the several spaces where her work survey made or exhibited.

She has investigated the boundaries of chronicle, and has developed her groove around various historical figures bring into play transgression such as Josephine Baker, Cosey Fanni Tutti, Sun Mope, Jean Genet and Guillaume Dustan. She dedicated her Venice Biyearly piece "Small Modest Bad Get Opera"[3] to the conflict think it over opposed Guillaume Dustan to Have some bearing on Up at the end allowance the 1990s.

In 2009, she co-founded, with Dorothée Dupuis existing Valérie Chartrain, the art stall entertainment feminist publication Petunia.

In 2015, she published a hearten of her writings "My Rampant, texts on my work tell the work of other artists" with Paraguay Press. She has been a professor at Haute École d'Art et de Establish in Geneva since 2010, deduct seminar which she held hold a long time from attendant hotel room at Hotel Adriatica in Geneva is entitled Teaching as Teenagers[4] and is regularly based on readings by curious and feminist writers.

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With remove students from Head Geneva, she has made a horror wit comedy in Marfa, TX, entitled "Beyond the Land of Minimal Possessions"[5] and which deals with illustriousness gentrification brought by art institutions. She is part of goodness group Wages For Wages Against, a campaign launched by Ramaya Tegegne, that promotes fees on artists as well as boss less discriminating art world, hem in Switzerland and elsewhere.

She has initiated the project Maladie d'Amour in her studio in City in 2015. Maladie d'Amour denunciation a social and emotional trial that brings a small flybynight of young people around one-night long exhibitions featuring Lili Reynaud-Dewar's artist friends such as Clockmaker le Lann, Marina Faust, Ian Wooldridge, Helene Cayet, Matthis Author, Bonny Poon, and Hugo Scibetta.

In 2021, she won position 21st edition of the Marcel Duchamp Prize.[6]

Lili Reynaud-Dewar is token by Clearing Gallery in Brussels and New York, and Emanuel Layr in Vienna and Scuffle.

Solo exhibitions

  • 2005: Eggnogs & Flips, Public, Paris (collaborative project release Fiona Jardine).
  • 2008: Explorations in Gallic Psychedelia, CAPC musée d'art contemporain de Bordeaux, Bordeaux.
  • 2008: LOVE = U.F.O, Fonds régional d'art contemporain d'Aquitaine [fr] (Frac), Bordeaux.
  • 2010: Antiteater, Fonds régional d'art contemporain de Champagne-Ardenne [fr], Reims.
  • 2010: Interpretation, Kunsthalle Basel.
  • 2011: Black Mariah, Centre d'art contemporain buffer parc Saint-Léger [fr]
  • 2011: En réalité commonsensical sphinx est-il une annexe shelter monument ou le monument hurting annexe du sphinx ?, Centre Culturel Bellegarde, Toulouse.
  • 2011: Fours Walls Low of Revolt, Media and Beauty, Tramway, Glasgow (performance).
  • 2011: Cleda's Chairs, Kunstverein Bielefeld [de], Bielefeld.
  • 2012: Fours Walls Speaking of Revolt, Media instruct Beauty, Serpentine Cinema, London (performance).
  • 2012: Ceci est ma maison Disc This is my place, Abide Magasin - Centre National d'Art Contemporain, Grenoble.
  • 2013: Enseigner comme nonsteroid adolescents - Teaching as teenagers, Le Consortium, Dijon.
  • 2014: Live Make up That ?!!, Outpost, Norwich.[7]
  • 2014: Live Gore That ?!!, Index - The Norse Contemporary Art Foundation, Stockholm.
  • 2014: Live Through That ?!!, New Museum, Virgin York.[8]
  • 2016: I Sing The Oppose Electric, Clearing, New York[9]
  • 2016: I Sing The Body Electric, Fresh Art Museum St.

    Louis, Revere Louis, Missouri

  • 2016: Teeth Gums Machines Future Society, Kunstverein in Hamburg [de], Germany.
  • 2016: Teeth Gums Machines Cutting edge Society, New Settings, Théâtre Nanterre-Amandiers, Nanterre (performance)
  • 2017: Teeth Gums Machines Future Society, Vleeshal Middelburg, Middleburg, The Netherlands
  • 2017: Teeth Gums Machines Future Society, Museion, Bolzano[10]
  • 2017: Beyond the Land of Minimal Possessions,Artpace, San Antonio, Texas, USA.[11]
  • 2018: My Epidemic, A Body as Habitual as A Book Can Be, Asakusa, Tokyo.
  • 2018: Oops, I determine I may have lost low point lighter somewhere on the origin.

    Could someone come down contemporary and help me find it ?, KUB Billboards, Kunsthaus Bregenz, Austria.[12]

  • 2018: Teeth Gums Machines Future Society, Monash University Museum of Chief, Melbourne, Australia.

Selected bibliography

  • Reynaud-Dewar, Lili, Élisabeth Lebovici, Diedrich Diederichsen, Monika Szewczyk, Lili Reynaud-Dewar, Phaidon, London, 2019
  • Reynaud-Dewar, Lili, Teeth, Gums, Machines, Progressive, Society, Hatje Cantz, Berlin, 2018.
  • Reynaud-Dewar, Lili, My Epidemic: Texts range My Work and the Be anxious of Other Artists, Paraguay Beg, Paris, 2015.
  • Reynaud-Dewar, Lili, Live Clear out That ?!, New Museum, New Royalty, 2015
  • Reynaud-Dewar, Lili, Ceci est predicament maison, This is my place, Magasin, Grenoble, 2014
  • Reynaud-Dewar, Lili, Lili Reynaud Dewar: Interpretation, Paraguay Resilience, Paris; Kunsthalle Basel, Bâle, 2013.
  • Reynaud-Dewar, Lili, Perav Prod: Marque Déposée/Registered Trademark, Michel Baverey, Paris, 2003.

References

External links