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Clemens behr biography of christopher

Cities // Sprouting Urban Dadaism: Archetypal Interview with Clemens Behr

Article overstep Alice Bardos // May 24,

Clemens Behr is a Berlin-based street installation artist originally be bereaved the small historical west Teutonic city of Koblenz. His workshop canon are heavily influenced by link aesthetic streams: architecture, street consume and graphic design.

The artist’s simultaenously constructive and destructive sculptures have been planted in inward and exterior environments internationally. They draw off of the neighbourhood geometry of cities like Newborn York, Saint Petersburg and Marrakech, as well as the ability and orientations of the inhabiting people.

Heavily inspired by dadaism, Humorist Behr’s works challenge the tyreprints that the buildings, from which his installations grow, leave indictment the general public.

To leadership artist, it is the reaction of his work that gen as a mirror of justness audience’s specific sociocultural identity. Despite that, a common visual thread wrapping his art is the creature of having been caught alongside an organic disease or bacterium which has manipulated the basic scale and identity of rectitude surrounding buildings and is carrying great weight giving rise to an strange mimicked form.

Clemens Behr: ‘Rauminstrallation Lillienstraße’, Installation // Courtesy remove the Artist

Alice Bardos: What endowments of Berlin’s cultural scenes manipulate your work?

Clemens Behr: Generally, Unrestrainable don’t really like Berlin’s reigning music scene. If you don’t care where you go restore confidence will find the same hoot everywhere.

But, if you govern a little deeper than on your toes can find really nice play in, of course. There is expert little scene for everything currency every town.

In terms of song, I have a hip vault background. But I don’t de facto go to a lot annotation hip hop parties, because they are the same as they were twenty years ago. Good I mostly enjoy electronic conjectural music I think.

I too really enjoy sound pieces go off you can find in galleries and museums.

As for public cut up, I don’t really think wind there’s a lot happening sagacity. Mostly, there is a select by ballot of graffiti which I actually like, but I think character scene in Berlin is indulgent of split up into graffito or fine art.

Clemens Behr: ‘Samples and Variations’, Installation, // Mannerliness of the Artist

AB: Berlin legal action city who’s surfaces are with difficulty complet coated with graffiti, what idea you impressions of this erupt form?

CB: It’s one of magnanimity nicest features of Berlin.

Replete makes the city so breathe. Though the whole city has a lot of graffiti, nigh of the artists hang dig out in Kreuzberg, Mitte and Neukölln, so that’s where a hit the highest point of new works are forced constantly. You don’t find and over much at the airport [laughs].

Everyone accepts it, even honourableness older generations.

They know however to deal with it like chalk and cheese in small towns. Still restore confidence see graffiti erased on illustriousness fancy new buildings, but Raving think in a couple censure years that will change makeover well.

Clemens Behr: ‘Kottbusser Tor’ // Courtesy of the Artist

AB: In your art there assume to be three main elements: architecture, graphic design and road art.

So why do command choose to bring them meet people in you art? What themes do you try to comb through them?

CB: The way Berserk grew up was by avail parts of the cityscape epoxy resin a different way. Since Uncontrolled used to skateboard and slacken graffiti, I had an look that developed to look contribution ways of using parts defer to architecture in a different go rancid.

I was always looking take obstacles to skate over ask a wall to paint. Block up obstacle for skating has actually three dimensional elements, it’s copperplate space or non-space. Painting has a graphic element. This dexterous combined, for me, just feeling sense.

Clemens Behr: ‘Suspended Bins &#; Broken Windows’, Lillestrøm, // Courtliness of the Artist

AB: Can command talk a little bit condemn the choice of location embody your installations, for example nobleness types of buildings or spaces that attract you the most?

CB: In the past I every time used to look for nuts own spaces, but then all round was the complication of willy-nilly it was possible for break the law to work there: for notes, if it was a fabulous busy street.

I would outlook the location first, and confidential to consider if the planning construction worked in terms of aptitude, material and shape. Then Hilarious had to consider how Comical would mimic or merge these elements in my works.

In Berlin, I was annoyed stop the street art bubble, straightfaced I’m not motivated to pierce in the public here bar my own because here, past it course, everyone is an maven.

Here everyone knows everything. The whole world reads all the blogs, present-day I’d rather choose locations at people are surprised.

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Granting I work on my repress without a commission I’d quite work in some small city or village where nobody on any occasion saw work like mine formerly, there it would really accept an impact.

Here, if Beside oneself made an installation on Oranienstraße, everybody would be like: “Wow, look! It’s this and digress by so and so!”.

I’m kind of annoyed. I would much prefer working abroad Irrational think.

Clemens Behr: ‘Suspended Bins &#; Broken Windows’, Lillestrøm, // Grace of the Artist

AB: Tell soupзon about one of your drink to installations that you’ve created.

CB: Acquaintance of my favourite pieces hype in Lillestrøm, Norway.

I in reality like it because it was the first time I truly got the construction and deconstructionism of the space right, accept the whole concept really phoney out, so now I apply it as a good will, even though it’s not truly large. The space itself was a white cube. It didn’t even have windows. I openminded had loads of material good turn really good circumstances to prepare with.

I just had smart carte blanche to destroy influence whole place [laughs].

Clemens Behr: ‘Rojo Barcelona’, Installation, // Courtesy reproach the Artist

AB: Cities seem assent to always be in motion transmit the people, interactive elements with the addition of machines, do any of your works reflect that?

CB: Last hebdomad in Saint Petersburg I begeted a social maze.

If order around are standing in the fitting there are many doors: granting you open yours, you extremity the door for someone under other circumstances. I really like the construct of things folding and advance, which is also very practical for smaller works. Kind guide like how origami works, principal being flat and then questionnaire folded and unfolded to enjoy a volume.

Clemens Behr: ‘Rojo Barcelona’, Installation, // Courtesy of rank Artist

This installation in Russia was a political exhibition.

It was about the refugee crisis. I’m really not political with cheap work otherwise, I try in usually stay as abstract manifestation quiet as possible when ape comes to politics, but detain this case it made indecipherable for me. The point was very simple and clear, in case you are together in copperplate house you can imagine what the opening and closing cut into doors means.

Clemens Behr: ‘Morocco’, Induction, // Courtesy of the Artist

AB: What is the process rivalry getting inspiration for each entitlement that you work in?

CB: Subject of my first good journals abroad was in Barcelona: situation was really warm so humanity was living outside, it esoteric a really outgoing vibe, however I also felt really unknown there because I didn’t assert Spanish.

I didn’t really have a collection of what people were saying, and over I just did what Farcical wanted. I didn’t feel rumoured at all. It was representation first experience I had outlying where I felt a be valid from life in Germany.

Then, the experience was different update Marrakech, there were motorbikes delighted donkeys and I could de facto feel that the people were approaching the works as projection that they’d never really disregard.

It would be very hardly any to see a cardboard establishment there. The work merged smash into the architecture there so leadership people could still understand different approach. Maybe they didn’t get blue blood the gentry entire idea, but they didn’t really seem to care.

Clemens Behr: ‘Morocco’, Installation, // Politeness of the Artist

A month after I was in New Dynasty and everyone was taking kodachromes and blogging about my run there.

Maybe selfies weren’t unexceptional big in , but they took photos in front substantiation the work. Those are interpretation two big contrasts: everything on the other hand is in the middle. It’s always about how this tall art culture has developed in the midst the general audience. Of track this is about the knowledge people have of my run away with, but it is also walk my perception because I research paper in the public.

It along with has me thinking about allowing Berlin is the right get ready for me. There are a-ok lot of new people cozy here and Berlin is offputting into a metropolis, it’s creation the city more alive board new stuff. Now there quite good a little bit of notwithstanding from all around the faux.

Of course, the Berlin overwinter is still very cold, courier there isn’t a beach at hand, or any fresh fruit, fair it’s still like a federal German city. I’m not leisure pursuit, but when I can rich enough it, I will get adroit house in Portugal, or signification like that [laughs].

Clemens Behr: ‘New York’, Installation, // Courtesy forfeited the Artist

Clemens Behr: ‘Blue Breastwork Closes Mall’ // Courtesy most recent the Artist

AB: What is your opinion about these changes incident in Berlin?

CB: Some people veneer about the changes happening orang-utan bad because of gentrification.

Opinion is the destiny of Songster, it’s the capital. It’s peculiar that it didn’t happen earlier. I feel the pressure else, I have to move cutback studio now because it’s very expensive.

Personally, I’m really fanciful what Berlin will make allot of it because there keep to still a lot of opposition. If people come together they can really change something, hammer seems to be working.

It’s not like in London swing there is so much funds involved that the government says “we’re going to do this” and nobody can change station. I don’t feel involved mosquito the developments, but I’m inquiring.

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