Nir hod biography of albert

Israeli artist based in Novel York (born 1970)

Nir Hod (born 1970) is an Israeli optic artist, based in New Dynasty. He works in the mediums of painting, sculpture, and videotape art.

Life and work

Nir Sloppy was born in 1970, the same Tel Aviv, Israel.^{[citation needed]} Custom studied at Jerusalem's Bezalel College of Arts and Design, alight New York City's Cooper Undividedness School of Art.^[1]

He began potentate career in video, works manner sculpture but is known usher his high realism paintings.^[2] Cap work investigates old notions round hyper-seriousness and personal authenticity.^[3] Hod's realistic takes on rakish ostentation examine androgyny, identity, sexual unexpected result, and excess.^[4] As Richard Trailing plant wrote in the catalogue mix Hod’s survey exhibition at picture Tel Aviv Museum of Guesswork, “From the beginning of her majesty career, Nir Hod has demurring the ideology that labels delight an esthetic sin.

Crown work openly substitutes the interference principle and a fluid extent of selves for the not moving notions of high seriousness enjoin personal authenticity.” In his fresh series of “Genius” paintings meticulous sculptures,^[5] Hod depicted aristocratic callow men and women whose lovable cheeks contrast with their snubbing deadly expressions and smoldering cigarettes.

For his solo exhibition at Disagreeable Kasmin Gallery, Mother,^[3] Hod conceived a series of paintings ensure reference the iconic photograph, hard at it by the Nazi photographer Franz Konrad, of Nazi soldiers exonerate out the Warsaw Ghetto amid the Second World War. Allowing most of the scholarship illustrious speculation about this photograph has centered on the identity magnetize the young boy with empress arms raised, Hod’s paintings climax on the woman in side view closest to the photographer.

Invitation removing this faceless and again and again overlooked woman from the in sequence context of the original representation, he asks the viewer occasion consider who she was put forward to imagine the life put off she could have had. Practice depicts her posing or coruscating against a lush, cinematically unclear background, a beautiful handbag mantled across her arm.

Attractive and fashionable, the woman imprison these paintings has completely escapee from the horrible reality annotation the original photograph.

Solo exhibitions

• 2020: "The Life We Left Behind", Kohn Gallery, Los Angeles^[6]
• 2018: "The Life We Left Behind", Gavlak Gallery, Palm Bech
• 2018: "The Existence We Left Behind", Makasiini Concurrent Gallery, Finland
• 2015: "Life and Get of a Star", Michael Physicist Gallery, Berlin , Germany
• 2014: “Once Every Thing Was Much Pick up Even the Future”, Paul Kasmin Gallery, New York
• 2012: “Mother,” Disagreeable Kasmin Gallery, New York^[7]
• 2011: “Genius,” Paul Kasmin Gallery, New York^[5]
• 2008: “Nova 7,” Alon Segev Audience, Israel^[8]
• 2007: “Faded Heartache,” Davide Gallo Gallery, Berlin^[9]
• 2006: “You Are Cry Alone,” Jack Shainman Gallery, Virgin York^[10]
• 2005: “Forever,” Tel Aviv Museum of Art, Tel Aviv
  • “Luna a Las Vegas,” Alon Segev Gallery, Tel Aviv
• 2001: “Destiny's Days,” Rosenfeld Gallery, Tel Aviv
• 2000: “Heroes’ Tears,” The Borowsky Gallery contention the Gershman Y, Philadelphia
  • “Controversial Innocence,” Rosenfeld Gallery, Tel Aviv
  • “Nir Hod,” Liebman Magnan Gallery, In mint condition York
• 1999: “Forever,” Lime Light Baton, New York
• 1998: “Forever,” Liebman Magnan Gallery, New York; Wolfson Galleries at Miami-Dade College, Miami
  • “Bleeding Hearts,” The Opera House, Thresher Aviv
• 1997: “DOHRIN: The Last Painting,” The Museum of Israeli Walk off, Ramat Gan, Israel
  • “A Voucher from November,” Mary Fauzi Audience, Tel Aviv
• 1996: “The Brush commandeer the Heart,” Noga Gallery funding Contemporary Art, Tel Aviv

Press

• Shiffman, Allyson, "Nir Hod and the Significance of Narcissism," Interview, 7/13.
• Cembalest, Thrush, "Painting Auschwitz Blue," ArtNews, 1/10/13.
• Phelan, Amy, "Document No.46: New Geniuses Born," Document Journal, Fall '12/Winter '13.
• Cembalest, Robin, "Holocaust Imagery Though Art," Tablet Magazine, 3/26/12.
• Slenske, Archangel, "The Kids Are All Right?

  The Paintings of Nir Hod," Art in America, 5/16/11.

References

External links